{"id":650,"date":"2023-05-17T12:22:29","date_gmt":"2023-05-17T12:22:29","guid":{"rendered":"https:\/\/hosting.northumbria.ac.uk\/cocreate\/?p=650"},"modified":"2023-07-19T14:19:55","modified_gmt":"2023-07-19T14:19:55","slug":"screenr","status":"publish","type":"post","link":"https:\/\/hosting.northumbria.ac.uk\/cocreate\/screenr\/","title":{"rendered":"Screenr"},"content":{"rendered":"\t\t
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Screenr<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Funder:<\/span>\u00a0ESRC, EPSRC, AHRC and Dstl \u2013 as part of CuRAtOR project.<\/p>

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Team:\u00a0<\/span>Tom Feltwell, Gavin Wood,\u00a0Kiel Long<\/span>, Scarlett Rowland,\u00a0Chris Elsden<\/span>, Shaun Lawson,\u00a0John Vines<\/span>, \u00a0(Northumbria University); Julie Barnett, Phil Brooker (University of Bath).<\/p>

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Website:\u00a0<\/span>https:\/\/curator.ac.uk<\/a><\/p>

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Timeframe:<\/span>\u00a02016-2018<\/p><\/div><\/div>

Public commentary related to reality TV can be overwhelmed by thoughtless reactions and negative sentiments, which often reinforce the cultural stereotypes. In the CuRAtOR project we had frequently observed how commentary on social media around such TV programming was especially problematic \u2013 often driven by the strategic use of hashtags by show producers at key moments in the \u201creality\u201d being portrayed in the shows. In the project we have been exploring ways of developing \u201csecond-screen\u201d applications that can be used alongside the broadcast of reality TV shows to help viewers engage more reflectively with their content.<\/p>

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The resulting application \u2013 Screenr \u2013 brings geographically distributed viewers together and uses voting and live textual tagging to inspire more critical co-viewing of programmes. The concept underpinning Screenr was that of a \u201cspotting guide\u201d \u2013 a resource to help viewers spot particular production techniques, tropes and stereotypes that are used in the shows to \u2018other\u2019 the populations and groups being portrayed. Small groups of viewers vote on what shows they will watch each week, watch these shows together, and are prompted to tag and annotate the content while watching them. Chat features enable discussion between viewers around the content, and promote discussion of different perspectives on the socio-political dimensions of the broadcast programming. An evaluation of Screenr with groups of viewers over a month highlighted how it had potential to support more critical forms of engagement with reality TV programming, promoting deepened discussion around socio-political issues, and that tagging and spotting itself can engender closer viewings and readings of broadcast media.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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------- <\/span>CoCreate members working on this project:<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\r\n\t\t\t\t\tKiel Long<\/a>\r\n\t\t\t\t<\/h2>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t
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\r\n\t\t\t\t\tJohn Vines<\/a>\r\n\t\t\t\t<\/h2>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\r\n\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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------- Publications related to this project:<\/span><\/p><\/div><\/div><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Feltwell, T., Wood, G., Rowland, S., Long, K., Elsden, C., Brooker, P., Vines, J., Briggs, P., Barnett, J., and Lawson, S. 2019. Designing Second-Screen Experiences for Social Co-Selection and Critical Co-Viewing of Reality TV. In: Proceedings of ACM SIGCHI Conference on Human Factors in Computing Systems (CHI \u201919), In Press.<\/p>

 <\/p>

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Brooker, P., Barnett, J., Vines, J., Lawson, S., Feltwell, T., Long, K., and Wood, G. 2018. Researching with Twitter timeline data: A demonstration via \u201ceveryday\u201d socio-political talk around welfare provision. Big Data and Society. https:\/\/doi.org\/10.1177\/2053951718766624<\/a><\/p>

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Feltwell, T., Wood, G., Long, K., Brooker, P., Schofield, T., Petridis, I., Barnett, J., Vines, J., <\/span>and Lawson, S. 2017. \u201cI\u2019ve been manipulated!\u201d: Designing Second Screen Experiences for Critical Viewing of Reality TV. In: Proceedings of ACM SIGCHI Conference on Human Factors in Computing Systems <\/em>(CHI \u201917), pp. 2252-2263. https:\/\/doi.org\/10.1145\/3025453.3025833<\/a><\/p>\n

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\n<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Screenr Funder:\u00a0ESRC, EPSRC, AHRC and Dstl \u2013 as part of CuRAtOR project. \u00a0 Team:\u00a0Tom Feltwell, Gavin Wood,\u00a0Kiel Long, Scarlett Rowland,\u00a0Chris Elsden, Shaun Lawson,\u00a0John Vines, \u00a0(Northumbria University); Julie Barnett, Phil Brooker (University of Bath). \u00a0 Website:\u00a0https:\/\/curator.ac.uk \u00a0 Timeframe:\u00a02016-2018 Public commentary related to reality TV can be overwhelmed by thoughtless reactions and negative sentiments, which often reinforce 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