Author name: Divorce History

The image is of a small village church that is surrounded by a grassed graveyard that is filled with multiple tombstones. There is a path leading up to the church entrance which is in the shape of an arch. The church is made of small, pebbled bricks with arched windows and has a sloped tiled roof. There is a small tower on the left side of the church.

If at first, you don’t succeed…Remarriage and the Divorce Court

In our last blog we focused on suits for restitution of conjugal rights and how they could be used in repeat applications to the Divorce Court as a means to prove desertion in a divorce case and circumvent the usual two-year period of desertion. In this blog we’re going to continue with the theme of […]

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The image is of a piece of old paper with faint lines drawn horizontally and one line vertically on the left-hand side creating a margin. On the horizontal lines are words written in a flowing handwriting in black ink. The quoted words from the letter have a double quote sign at the start of every line even though the quote has not ended, and it says: ‘2. That on the 20th December 1906 I wrote my husband a letter which was as follows:- “I think I have waited long “enough to see if anything would happen and “I now ask you to tell me definitely if you “are prepared to put away this woman and “make a home for me and Jacqueline”. Such letter was address[ed] by me to my husband at his office situated at 2 Collingwood Street Newcastle-upon-Tyne where he practices as a solicitor.

‘Are [you] prepared to put away this woman and make a home for me…’: applications for restitution of conjugal rights in the Divorce Court 

What was a restitution of conjugal rights?  Divorce was the most common form of litigation in the Divorce Court. But as we discussed in an earlier blog, there were other forms of litigation available to deal with marital discord. In this blog we’re going to focus on one of those, a restitution of conjugal rights,

‘Are [you] prepared to put away this woman and make a home for me…’: applications for restitution of conjugal rights in the Divorce Court  Read More »

This image is a photograph of the outside of The National Archives at Kew. The building is made of beige brickwork, large glass windows and grey roofs and canopies. In front of the building is a pond filled with water and railings around. At the front of the picture is a walkway with patterns in the stonework, including a circle.

New Year, New Stage of the Project! Our visit to The National Archives, Kew 

Last week we got to an exciting point in the project, with a visit to our Project Partners, The National Archives at their site in Kew. We, the Principal Investigator, Dr Jennifer Aston and Senior Research Assistant, Dr Diane Ranyard, spent 5 days exploring the archives.  So why were we there?  Our trip was a

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The image is a black and white sketch of the inside of the Divorce Court from 1910, which is a large room. The central focus of the image is a woman dressed in a hat and dress who is stood at the witness box/stand, and she is being questioned by a legal professional who is dressed in a long black gown and a wig. He is stood up on the right of the image and is surrounded by other men who are sat down and dressed in similar clothing. On the left-hand side of the image is a man sat high up behind a desk who is the judge. He is also dressed in a black gown and wig, and he is reading some papers in front of him. In front of him is a larger desk with five men in suits sat writing or reading and there are books and papers piled up on the desk. At the back of the image behind the woman at the witness box/stand are another 12 men who are sat in what appears to be a public gallery.

‘The court…is not likely to languish for lack of work during the ensuing sittings’: January, the busiest time of the year. 

On Saturday 1 January 1898, Mrs Amelia Reade [referred to as Maud Amelia in newspaper reports] wrote a short letter (see image below) to her estranged husband Beaumont Russell Reade in which she said ‘I voluntarily confess to having misconducted myself with E. Durand on several occasions and I am willing to sign a document

‘The court…is not likely to languish for lack of work during the ensuing sittings’: January, the busiest time of the year.  Read More »

The image is an old painting of a snowscape. In the centre is an old church with a spire and there are lights shining out of the arched windows. In front of this is a road and a pavement that are covered in snow. There are a few trees at different points along the road, they have no leaves on them but there is snow on the branches. On the road are two horse drawn sleds with people sat inside in Victorian dress. On the snow-covered pavement are some people walking towards the church also dressed in Victorian clothing, these people include a man and woman walking together. The sky is a pale shade of blue with hues of sunlight shining through as the sun sets and there is a faint outline of the moon appearing.

Finding the Words: Descriptions of Domestic Abuse in the Victorian Divorce Court 

Content Note: Please be aware that this blog post contains descriptions of abuse that readers may find distressing. If Lucy’s story resonates, you can find relevant links and contact details for organisations who can offer advice and support at the end of this blog post.  While this blog does explore a divorce case from the

Finding the Words: Descriptions of Domestic Abuse in the Victorian Divorce Court  Read More »

The image is a modern photograph of an old terrace building (built in the early 19th century) that appears to be housing. It is four storeys high, with a white facade and bay windows on every floor. The bay window on the second floor has a balcony with black railings and a small porch hanging over the top of the window. There are steps leading up to a door with another balcony above it and railings running across the front of the house. A tall tree is partially visible on the left-hand side of the photograph that is in front of the building.

The Mysterious Affair of Adultery in the Divorce Court

Description: 26 Gloucester Place, Brighton [The location of the adultery between Gwyneth Alice Hoos and James Hughes Massie]. Source Citation: Wikimedia Commons contributors, ‘File:26 Gloucester Place, Brighton (IoE Code 480742).JPG’, Wikimedia Commons, 24 May 2023, 23:21 UTC, <https://commons.wikimedia.org/w/index.php?title=File:26_Gloucester_Place,_Brighton_(IoE_Code_480742).JPG&oldid=766735062> [accessed 11 December 2024] On 16 April 1917, a petition for divorce was filed at the Principal

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The image is an old etching of a church in black ink on an off-cream background. The church has a central tower and spire, and around it are other areas of the church building with pointed roofs, smaller spires and arched windows. Around the etching of the church is a circular border of leaves, and in the bottom left-hand corner are the words: ST SAVIOURS SOUTHWARK.

The Most Radical Legislation of the Nineteenth Century: ‘Wherefore She Prays for an Order for the Protection of her Earnings and Property’ 

On an unseasonably warm Wednesday in May 1825, Miss Margaret Shands travelled to St Saviour’s Church, Southwark, to marry mariner, Alexander Christie. They set up home together on Watling Street in the City of London and were joined by a daughter, Rebecca in 1827, and a son, William, in 1830. The Christie’s marriage (perhaps unsurprisingly,

The Most Radical Legislation of the Nineteenth Century: ‘Wherefore She Prays for an Order for the Protection of her Earnings and Property’  Read More »

This image is a photograph of King Charles III and his then new wife formerly Mrs. Camilla Parker Bowles attending their wedding blessing at St George's Chapel in Windsor. Both are seated in the chapel in front of an old stand with a document open on it. They are facing each other and smiling. Charles is wearing a grey pinstripe suit with a white shirt and waistcoat and a black tailcoat. Camilla is wearing a white/off cream dress with a long-fitted dove-grey silk coat on top which has gold detailing. She has a Phillip Treacey fascinator on her head which looks like gold wispy long leaves sweeping from one side to the other.

D.I.V.O.R.C.E. Legally Severing the Bonds of Marriage

Of all the forms of litigation that unhappily married spouses could pursue in the Divorce Court between 1858 and 1923, divorce is probably the most recognisable today. For clarity, divorce is a form of permanent legal separation that allows both spouses to remarry. It was one of only two options available to unhappily married husbands

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This is the front cover of a book in a dark blue with white lettering. The writing says Deserted Wives and Economic Divorce in 19th-Century England and Wales. 'For Wives Alone' By Jennifer Aston (Author) and Olive Anderson (Author). There is an image below the wording of the inside of the Divorce Court with a woman stood giving evidence in front of a courtroom full of men in suits.

Friday 6th December 2024 5.30-7.30pm – Book launch: Deserted Wives and Economic Divorce in 19th-Century England and Wales: For Wives Alone

Come along to the book launch as part of the Women’s History Seminar Series at the Institute of Historical Research (or join online-via Zoom) for Dr Jennifer Aston and Professor Oliver Anderson’s new book: Deserted Wives and Economic Divorce in 19th-Century England and Wales: For Wives Alone.   In this seminar we will be celebrating

Friday 6th December 2024 5.30-7.30pm – Book launch: Deserted Wives and Economic Divorce in 19th-Century England and Wales: For Wives Alone Read More »

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